Wire’s “Joust & Jostle” Gets Noisey

WIRE NEW SELF-TITLED ALBUM DUE APRIL 21 VIA PINKFLAG

STREAM “JOUST & JOSTLE” AT NOISEY

US TOUR DATES ANNOUNCED 

Listen: “Joust & Jostle” via Noisey or SoundCloud

Wire is delighted to announce the release of their new self-titled album on April 21 via pinkflag.  Noisey has premiered “Joust & Jostle” from the forthcoming record and the song is also available to post and share via SoundCloud. Wire has also announced a summer US tour which will make stops in major markets including Seattle, Los Angeles, Boston, New York and more.

Right from their inception in 1976, back in the first stirrings of punk, Wire went about making music in a subversive, conceptual way, setting themselves apart from both their peers and their influences.

“I had this idea that I wanted to avoid things that had a particular kind of tradition,” explains singer and guitarist Colin Newman. “I thought the three-chord trick was too simplistic and that the one-chord trick would be better. Or the two chord trick where the second chord is definitely not the right chord.”

Bass guitarist and vocalist Graham Lewis identifies another trait that has run throughout the group’s lifetime. “People said we were mysterious, arch and dark. But the only way of doing that successfully, is by also having a sense of humor. You have to have that balance. With Wire there’s a peculiarity, a contrariness and that can be funny.”

This questing approach has permeated Wire’s songwriting, their onstage presentation, even the decision, back in the 80’s, for Robert Grey to strip his drum kit down to just bass drum, snare and hi-hat. And it has served them well in guarding against repetition and cliché. In context, Wire’s last album, 2013’s aptly titled Change Becomes Us was another case of “Expect the unexpected”, as it found them extensively reworking a rich cache of material abandoned amid a temporary break-up in the early 80’s.

Their 13th studio album – simply titled Wire – comprises material that was written with the album in mind, but toured extensively first, as well as songs that Newman introduced to the group in the studio just prior to recording. The idea was to get the most spontaneous reaction possible from the musicians, and far from the rough and ready results one might expect from such a tack.

Wire is full of swooning pop melodies with a 60’s tinge and an irresistible, near motorik rhythmic momentum. One can recognize certain melodic inflections, guitar and bass motifs, and drum rhythms from Wire’s idiosyncratic vocabulary but it has a remarkable freshness.

The basic tracks were recorded at Rockfield Studios near Monmouth, with overdubs added at Brighton Electric last December following the group’s DRILL : BRIGHTON Festival. The 11 tracks selected for release were the ones that came together most naturally.

From the outset Wire was an alliance between four very different characters and continues today with the addition, in 2012, of It Hugs Back guitarist Matthew Simms, who is around thirty years younger than the other group members. “With Matt there was a really new dynamic that had appeared in the group’s sound and that was something we wanted to capture, utilise and be creative with,” says Lewis.

Wire is the first album where Simms has been involved in formulating the material from the ground up, but when the group’s particular chemistry starts working he is now very much part of the process.

“With ‘Sleepwalking,” I don’t think we even ran all the way through it before we recorded it.” Newman says. “Wire do this thing so well and there’s instant atmosphere. There’s my rhythm guitar, Matt playing lap steel, Graham (Lewis) playing bass with effects – there’s as much effects as bass – and Rob’s tolling drumming. It was already almost sustainable for six minutes with just that.”

Lewis also provides most of the lyrics for the album, their subject matter encompassing love songs, cryptic narratives and coded messages. One time, Newman asked Lewis to send over some unfinished, unformatted text so he wouldn’t be bound by what to use for the chorus. This material spawned two songs written on the same day, “Split Your Ends” and the droll “In Manchester.” The latter has one of the album’s loveliest melodies, but it’s no coded paean to the city in its Baggy heyday. Instead this process led to the disorientating and rather absurd situation of having “In Manchester” as a soaring chorus, when the song is not about Manchester beyond a single line in the lyric.

As the album progresses, some of the sunlit pop tunes become more shadowy and it ultimately plunges into the musical black hole of “Harpooned,” eight churning minutes of the group’s darkest, most abrasive music to date, and a favorite in live performances since 2013.

Big money offers have been made to Wire to become part of the Heritage Rock industry, to get the original line-up back together and play only 70’s music. These have all been unequivocally turned down. Fun though that might be, why plant yourself firmly back in the past when you are making new music this potent with the promise of more in the future? “The point where our personal narratives meet is all about change – moving on and keeping it interesting for ourselves,” says Newman. “We’re in it for the long haul and this is a one-way trip.”

Wire will be launched by the fourth event in the band’s DRILL series entitled DRILL : LEXINGTON – five nights (14-18 April) at the Lexington in London with Wire headlining, plus a different “curated” support each night. This will be followed by a UK and US tour. See full dates below.

Wire Tour Dates

April 12-13 – UK – BRIGHTON – Prince Albert

April 14-18 – UK – LONDON – DRILL : LEXINGTON (album launch)

April 20 – UK – SOUTHAMPTON – Engine Rooms

April 21 – UK – RAMSGATE – Music Hall

April 22 – UK – NOTTINGHAM – Rescue Rooms

April 23 – UK – LIVERPOOL – Kazimer

April 24 – UK – HEBDEN BRIDGE – Trades Club

April 26 – UK – ABERDEEN – Lemon Tree

April 27- UK – GLASGOW – King Tuts

April 28 – UK – LEEDS – Brudenell Social Club

April 29 – UK – MANCHESTER – Club Academy

April 30 – UK – BRISTOL – Fleece

May 27 – USA – SEATTLE, WA – Nuemos

May 29 – USA – SAN FRANCISCO, CA – Slim’s

May 30 – USA – LOS ANGELES, CA – The Echoplex

June 02 – USA – CAMBRIDGE, MA – The Sinclair

June 03 – USA – BROOKLYN, NY – Music Hall of Williamsburg

June 04 – USA – NEW YORK, NY – Bowery Ballroom

June 05 – USA – PHILADELPHIA, PA – Union Transfer

June 06 – USA – WASHINGTON, DC – Black Cat

June 08 – USA – CLEVELAND, OH – Beachland Ballroom

June 09 – USA – DETROIT, MI – Majestic Theatre

June 10 – USA – LOUISVILLE, KY – Headliners