Generationals To Headline Behind Alix

GENERATIONALS ANNOUNCE FALL NORTH AMERICAN HEADLINING TOUR

NEW ALBUM, ALIX, PRODUCED BY RICHARD SWIFT, IN STORES
AND ONLINE VIA POLYVINYL RECORD CO. ON TUESDAY, SEPTEMBER 16

NEW SINGLE, “GOLD SILVER DIAMOND,” NOW STREAMING ONLINE

“‘Gold Silver Diamond’ is perfect for a summer evening. Think of it as an ambient electro soundtrack to the segue from day to night. Enjoy it with a fruity frozen cocktail and as many bikini-clad cohorts as you can find.” – Esquire

New Orleans-based indie-rock duo Generationals are pleased to announce their upcoming fall North American headlining tour. Touring in support of their soon-to-be-released full-length album titled Alix, the tour will begin on Tuesday, October 7 in Houston, TX at Fitzgerald’s Downstairs and will visit markets such as Atlanta, GA on Friday, October 10, Washington, DC on Saturday, October 11, Brooklyn, NY on Sunday, October 12, New Orleans, LA on Friday, October 17, Chicago, IL on Thursday, October 30, Los Angeles, CA on Wednesday, November 12, and culminate in a performance at Biltmore Cabaret in Vancouver, BC on Monday, November 17. Support on the run will be provided by Arum Rae and Springtime Carnivore on select dates, and information on tickets can be found on Generationals’ official website, http://generationals.com.

Helmed by notable producer Richard Swift (The Shins, Tennis, Foxygen) and being released on Tuesday, September 16 via Polyvinyl Record Co., Alix, Generationals’ forthcoming album, reveals itself as perhaps the band’s most confident record yet, full of history and as multiphase as members Ted Joyner and Grant Widmer’s long-standing friendship. “Gold Silver Diamond,” Alix’s buoyant first single described by Joyner as “a feel-good party track that is about emptiness, despair, and the meaningless futility of life” is now streaming online.

Ted Joyner and Grant Widmer, friends since high school and Generationals co-captains since 2008, have been in each other’s faces for most of this century. Natural songwriting partners, they made their first three records at home with the help of mutual friend Daniel Black, and in 2013 they launched straight into their fourth with surprising post-tour energy. But after years of creative brain-melding, the dyad had reached a point of ultra-familiarity and comfort in their work routine that, to them, threatened quicksand. They began to suspect their own productivity of being rut in disguise.

Determined to keep things fresh, they sought out a new producer in Richard Swift, the renowned singer, songwriter and multi-instrumentalist, who they felt would be able shake things up, surprise them and bring something new to the project. The Louisiana duo then made their way, yellow brick road-style, to Cottage Grove, Oregon, ready to give their tapes over to Swift’s cultishly venerated magic touch, but the collaboration was hardly the scrap-it-all, start-from-scratch, give-up-the-reins-and-let-the-guru-do-his-thing scenario Joyner and Widmer had expected-hoped for even-when they began their pilgrimage to the producer’s National Freedom studio in February. Swift deemed the demos album-worthy after all and the original versions were saved at his urging. With a little tightening rather than a vibe transplant, the songs solidified into a cohesive, finished record.

“I looked at the demos objectively and really just helped organize the sounds into something that was sonically cohesive,” Swift said. “I knew they spent a lot of time on their own, on their headphones creating these beats and bells and whistles and felt no need to drastically change them.”

Built up with layer upon layer of rhythmic lines, computer noises, RZA beats and poppy vocals that sometimes sound like a Janet Jackson/Prince face-off, Alix is everything Joyner and Widmer like about music-old and new, vinyl and YouTube, vocal chord and microKORG-gathered up from everywhere and arranged with great care into a good-smelling, subtly sexy, catchy-or-die mish-mosh of sensibilities and time-warp senselessness. It is an album lightly peppered with that signature Swiftian element but undeniably Generationals in taste. As Swift had decreed: “’tis a good idea, to tear down and rebuild, but it’s not always necessary to start from scratch.”

Generationals will be touring North America throughout the fall in support of Alix. Tour dates below.

OCTOBER
07 – Houston, TX – Fitzgerald’s Downstairs *
08 – Dallas, TX – Prophet *
09 – Baton Rouge, LA – Spanish Moon *
10 – Atlanta, GA – Drunken Unicorn *
11 – Washington, DC – U Street Music Hall *
12 – Brooklyn, NY – Music Hall of Williamsburg *
15 – Birmingham, AL – The Bottletree *
16 – Hattiesburg, MS – Thirsty Hippo *
17 – New Orleans, LA – One Eyed Jacks *
28 – Kansas City, MO – Record Bar
29 – Bloomington, IN – The Bishop
30 – Chicago, IL – Thalia Hall

NOVEMBER
02 – Minneapolis, MN – 7th Street Entry
12 – Los Angeles, CA – Troubadour &
13 – San Francisco, CA – The Chapel &
15 – Seattle, WA – Crocodile &
16 – Portland, OR – Doug Fir Lounge (early show/all ages) &
16 – Portland, OR – Doug Fir Lounge (late show) &
17 – Vancouver, BC – Biltmore Cabaret &

* = Arum Rae supporting
& = Springtime Carnivore supporting